Field Dispatch from Borges’s Buenos Aires
Exploring Borges’s poems
NOTE
This essay was originally published for OSV Field Notes
It is 12:29 a.m. and I am wandering the streets of Buenos Aires in search of a lighter. The kiosks are still open. There’s a slight drizzle. A few policemen patrol the streets, chatting with the locals. For some Argentines, the night has just begun, and many continue to drink coffee at hours that would scandalize most North Americans.
I am in the city of Jorge Luis Borges, and two blocks from my hotel is the street that bears his name.
It’s no secret that we at OSV are huge fans of Borges. We’ve mentioned his literary works before in the first two editions of Field Notes. Since I’m in his native city, I want to revisit his work and view this city through the eyes of its defining writer. My journey begins with Borges’s first poetry collection: Fervor de Buenos Aires (1923). Here’s an extract from The Streets:
The streets of Buenos Aires
are already the innards of my soul.
Not the energetic streets
bothered by hurry and bustle,
but the sweet neighborhood street
made tender by trees and sunsets.
And here is another, from Houses like Angels, published in his second poetry collection, Luna de enfrente (1925):
Where San Juan and Chacabuco intersect
I saw the blue houses,
the houses that wear colors of adventure.
Now it’s almost 3 a.m., and I’ve lost myself wandering the night streets in search of these blue houses. There’s a cool breeze, and at a bus stop I hear a ragged man play the guitar. Borges spoke of his love for this boundless city: “Buenos Aires is deep, and never have I, disillusioned or suffering, given myself over to its streets without receiving some unexpected consolation, whether from feeling unreality, from guitars at the back of a patio, or from contact with other lives.”
Borges’s poetry has given me words to express my appreciation of this city. Now my morning walks write themselves the way a Borges poem might; I think I’m choosing the route, but the city knows better.